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VERY FAST & VERY FAR

by Tim Bruniges, Julian Day, Matt McGuigan

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  • Record/Vinyl + Digital Album

    Clear LP: 45rpm
    Deluxe film-laminated 'Tip-On' jacket
    Insert with accompanying text by Julian Day
    Limited to 200 copies worldwide
    Includes download card

    Includes unlimited streaming of VERY FAST & VERY FAR via the free Bandcamp app, plus high-quality download in MP3, FLAC and more.
    ships out within 3 days
    edition of 200 

      $35 AUD or more 

     

  • Streaming + Download

    Includes unlimited streaming via the free Bandcamp app, plus high-quality download in MP3, FLAC and more.
    Purchasable with gift card

      $12 AUD  or more

     

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First Stream 03:36

about

In 1977 the US government sent two unmanned probes — Voyager I & Voyager II — on a one-way journey into interstellar space. On board each craft, a carefully etched golden record containing sonic artefacts of life on earth, including fragments of Bach & traditional musics, sounds of animals & nature, an audio realisation of the ‘music of the sphere’s’ & children’s laughter.

As the 40th anniversary of the mission loomed, the three artists, working here together for the first time, locked themselves in a dark studio, armed with three things: a gleaming desktop computer & microphone running custom software (pulled from a previous gallery installation by Tim Bruniges), a pair of keyboards from the era, & a laboriously hunted-down playlist of fragments from the original golden record (this was before the Ozma boxset existed…). The setup was such that Bruniges & Day could each hear McGuigan’s collaged Voyager excerpts but not each other’s responses, like a sonic exquisite corpse.

Each artist brings insights from their diverse extra-musical practices, sound art, film making & writing, which lends a keenly sculptural approach to the material. The results are mysterious & evocative, like a submerged fever dream.

The release includes a poignant lyric essay ‘Termination Shock’ that ruminates on the Voyager program, comparing the implicit melancholy of its steady recession with a long-distance relationship coming apart.

credits

released September 10, 2021

Recorded & mixed by Matt McGuigan
Mastered & cut by Helmut Erler D&M, Berlin, November 2020
Design & layout by WBYK

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Tim Bruniges, Julian Day, Matt McGuigan Sydney, Australia

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